John
Barkley


Works

Living Waters


60’’ x 48’’

Enchanted Cascade


72’’ x 60’’

Always Moving


48’’ x 72’’

Amalgam


16’’ x 20’’

An Imminent Embrace


54’’ x 84’’

Back and Forth


20’’ x 20’’

Blas


16’’ x 20’’

Contraries in Motion #2


30’’ x 36’’

Cosmic Garden Seed


48’’ x 60’’

Drawn #2


16’’ x 20’’

Emerging from Complements


30’’ x 30’’

Emerging From Within #2


20’’ x 20’’

Entry In


30’’ x 30’’

Epiphany


16’’ x 20’’

Fire, Water, and Light #3


72’’ x 48’’

Fire, Water, and Light #4


72’’ x 48’’

From the Night


30’’ x 36’’

From The Void


48’’ x 72’’

God Is a Woman #7


48’’ x 60’’

In Its Time


16’’ x 20’’

Interior Terrain


40’’ x 48’’

Jaunt


16’’ x 20’’

Meditation Moments


60’’ x 72’’

Memory Traces


20’’ x 20’’

Moments After


60’’ x 72’’

Prana Pulse #8


40’’ x 60’’

Prana Push


40’’ x 48’’

Quaternary Return


40’’ x 48’’

Rapture #3


16’’ x 20’’

Red and Green Stream of Mind


48’’ x 60’’

Realms


16’’ x 20’’

Released


16’’ x 20’’

Rhapsody Reflections #2


54’’ x 84’’

Spark Within


20’’ x 24’’

That Which Awakens


54’’ x 84’’

The Approach


16’’ x 20’’

The Fire Within


20’’ x 20’’

Through Fire and Water


54’’ x 84’’

Tinctures in Expanse


36’’ x 30’’

Towards an Embrace


48’’ x 72’’

Traces in Space


36’’ x 30’’

Two Palette


30’’ x 30’’

Underneath It All


40’’ x 48’’

A Way In


72’’ x 60’’

Almost There


72’’ x 60’’

Another View


30’’ x 60’’

Blue Path In


48’’ x 60’’

Blue Path In #4


72’’ x 60’’

Coloured Entrance


20’’ x 20’’

Coloured Time


30’’ x 30’’

Creek Inlet


20’’ x 20’’

Gatineau Turn 2


20’’ x 20’’

In Between


24’’ x 24’’

Inside


20’’ x 20’’

Meech Creek Colours


36’’ x 36’’

The Invitation


48’’ x 60’’

Spring Fresh


20’’ x 24’’

The Painter’s Path #14


72’’ x 60’’


Biography

I am an experimental painter. I have been working on my craft since 1996. I start work with a conceptual point of entry and then work intuitively, in dialogue with the work. The art making process largely determines the completion of the piece, and one work often then leads to another. My experience within the studio is a catalyst for my departure from a mode of modern secular monophasic consciousness into an experience of interconnected consciousness with nature and all living things. My environmental concerns, existential questions, and my academic interests influence the starting point. In the work, I contemplate questions pertaining to ultimate meaning, death and issues of personal control.

In 2000, I wrote a Masters thesis which created a new hermeneutic of art based upon the work of Jung, Tillich, and Hiedegger, it was subsequently applied to the work of Roland Poulin. The thesis included significant discussion about the relationship between art, cosmogony, and the human psyche. In my research I have studied philosophers and theologians that challenge conventional wisdom and advocate the adoption of a new mythology. I have been developing a visual vocabulary to explore this idea.

My work is influenced by and linked to many Quebec artists. My painting application has recently been compared, by one critic, to Riopelle and Borduas, and the contrast between the organic and geometric to Charles Gagnon. I have been influenced by Poulin’s use of opposites to create tension, and his use of dark void forms. In my work I examine consciousness by using abstraction and a symbolic vocabulary. A visual vocabulary has been derived from natural elements and industry and is used as a vehicle for the examination and expression of the contemporary psyche.

– John Barkley

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