Matt Devine

Works
  • Matt Devine, 1763, 2019
    1763, 2019
    76 x 50 x 36 in.
  • Matt Devine, 1763 #9, 2023
    1763 #9, 2023
    77 x 24 x 23 in.
  • Matt Devine, 21,000 Miles #16, 2023
    21,000 Miles #16, 2023
    36 x 36 x 8
  • Matt Devine, 3.14 #4, 2018
    3.14 #4, 2018
    88 x 45 x 35 in.
  • Matt Devine, All Aboard, 2025
    All Aboard, 2025
    27 x 18 x 18 in.
  • Matt Devine, Amador #4, 2022
    Amador #4, 2022
    40 x 40 x 9 in.
  • Matt Devine, An Apple a Day, 2025
    An Apple a Day, 2025
    40 x 40 x 7 in.
  • Matt Devine, Blue in Green #3, 2023
    Blue in Green #3, 2023
    36 x 36 x 8
  • Matt Devine, Blue Jean Baby, 2025
    Blue Jean Baby, 2025
    44 x 32 x 6 in.
  • Matt Devine, Coppertone #5, 2023
    Coppertone #5, 2023
    41 x 21 x 7 in.
  • Matt Devine, Emerge, 2023
    Emerge, 2023
    96 x 52 x 42 in.
  • Matt Devine, Flight of the Tanager, 2025
    Flight of the Tanager, 2025
    46 x 19 x 7 in.
  • Matt Devine, Golden Slumbers, 2023
    Golden Slumbers, 2023
    36 x 36 x 6 in.
  • Matt Devine, Grosbeak, 2024
    Grosbeak, 2024
    38 x 38 x 6 in.
  • Matt Devine, Here We Go #5, 2025
    Here We Go #5, 2025
    31 x 18 x 14 in.
  • Matt Devine, Hold on Tight #14, 2024
    Hold on Tight #14, 2024
    39 x 19 x 6 in.
  • Matt Devine, Homeward Bound #1, 2025
    Homeward Bound #1, 2025
    36 3/4 x 17 x 13 in.
  • Matt Devine, Homeward Bound #2, 2025
    Homeward Bound #2, 2025
    36 x 17 x 12 in.
    Sold
  • Matt Devine, I Heard the Bluebird Sing, 2025
    I Heard the Bluebird Sing, 2025
    29 1/2 x 14 x 14 in.
  • Matt Devine, Kat Harvey, 2023
    Kat Harvey, 2023
    36 x 48 x 8 in.
  • Matt Devine, King Tide #3, 2025
    King Tide #3, 2025
    36 x 36 x 4 in.
  • Matt Devine, La Brecha #2, 2018
    La Brecha #2, 2018
    85 x 47x 45 in.
  • Matt Devine, Lady in Red, 2024
    Lady in Red, 2024
    30 x 60 x 7 in.
  • Matt Devine, Let Love Rule, 2024
    Let Love Rule, 2024
    42 x 42 x 6 in.
  • Matt Devine, New Season #2, 2025
    New Season #2, 2025
    45 x 20 x 6 1/2 in.
  • Matt Devine, Offshore Study, 2025
    Offshore Study, 2025
    21 x 15 x 11 in.
  • Matt Devine, Outward Bound, 2023
    Outward Bound, 2023
    37 x 18 x 16 in.
  • Matt Devine, Pink Pony Club, 2025
    Pink Pony Club, 2025
    36 x 36 x 8 in.
  • Matt Devine, Please Be Kind, Rewind, 2023
    Please Be Kind, Rewind, 2023
    40 x 40 x 6 1/2 in.
  • Matt Devine, Quite Right Slick, 2025
    Quite Right Slick, 2025
    60 x 60 x 12 in.
  • Matt Devine, RBG, 2020
    RBG, 2020
    86 x 60 x 42 in.
  • Matt Devine, Release #2, 2021
    Release #2, 2021
    44 x 44 in.
  • Matt Devine, San Onofre, 2023
    San Onofre, 2023
    36 x 60 x 8 in.
  • Matt Devine, Scripp's, 2023
    Scripp's, 2023
    36 x 48 x 8 in.
  • Matt Devine, Shadow Figure, 2025
    Shadow Figure, 2025
    46 x 21 x 6 in.
  • Matt Devine, Studio Study 25-1, 2025
    Studio Study 25-1, 2025
    20 x 9 x 7 1/2 in.
  • Matt Devine, Sutter Creek, 2023
    Sutter Creek, 2023
    40 x 40 x 9 in.
  • Matt Devine, The Push #2, 2020
    The Push #2, 2020
    67 x 39 1/2 x 38 in.
  • Matt Devine, Up In the Sky, 2019
    Up In the Sky, 2019
    81 x 56 x 51 in.
  • Matt Devine, Velours, 2022
    Velours, 2022
    44 x 44 x 8 in.
  • Matt Devine, When Push Comes to Shove, 2022
    When Push Comes to Shove, 2022
    68 x 43 x 27 in.
  • Matt Devine, Wilson's Warbler, 2024
    Wilson's Warbler, 2024
    38 x 38 x 5 in.
Overview
"The contrasts of nature and industry, light and shadow, chaos and order are themes found throughout Devine’s body of work."

Matt Devine is a self-taught sculptor working with steel, stainless steel, aluminum and bronze. Born and raised in New England, Devine moved to California in 1995, where he learned to weld and fabricate metal while working alongside his father.

 

The contrasts of nature and industry, light and shadow, chaos and order are themes found throughout Devine’s body of work. Pared-down organic shapes are formed out of sheet and solid materials and welded together in harmonious accord, often allowing the metal to appear as light as paper. These contrasts, plus the relationships of patterns and boundaries, address Devine’s desire to contain chaos and push out the discord of an information-saturated culture.

 

Since becoming a full-time artist in 2004, Devine has developed his signature sculpture style while building his fine art career. Devine’s sculptures are on display at highly-regarded art galleries across North America, Asia and Europe. His works can be found in a myriad of private, corporate and public art collections on five continents.

Art Fairs