17 3/4’’ x 39 3/4’’ x 6 7/8’’, Ed.50


17 1/4’’ x 40 1/8’’ x 6 5/8’’, Ed.100

In and Out

18 1/4’’ x 41 1/4’’ x 7 3/4’’, Ed.75


22 3/8’’ x 35’’ x 6 1/8’’, Ed.75


17 3/8’’ x 38’’ x 6 1/4’’, Ed.50


17 1/4’’ x 40 1/8’’ x 6 5/8’’, Ed.75


17 5/8’’ x 35 3/8’’ x 7, Ed. 75


25 1/2’’ x 49 1/8’’ x 16 1/8’’, Ed. 75


Patrick Hughes (b. 1939) is a British artist working in London. He is the creator of “reverspective,” an optical illusion on a three-dimensional surface where the parts of the picture which seem farthest away are actually physically the nearest.

He explains reverspective: “Reverspectives are three-dimensional paintings that when viewed from the front initially give the impression of viewing a painted flat surface that shows a perspective view. However as soon as the viewer moves their head even slightly the three dimensional surface that supports the perspective view accentuates the depth of the image and accelerates the shifting perspective far more than the brain normally allows. This provides a powerful and often disorienting impression of depth and movement. The illusion is made possible by painting the view in reverse to the relief of the surface, that is, the bits that stick farthest out from the painting are painted with the most distant part of the scene.”

His first “reverse perspective” or “reverspective” was Sticking Out Room (1964), a life-size room for the Institute of Contemporary Arts (ICA) in 1970. He returned to explore the possibilities of reverspective in 1990 with Up the Line and Down the Road (1991). Since then, his reverspectives have been shown in London, New York, Santa Monica, Seoul, Chicago, Munich and Toronto.

Download the artist biography