Les lys

48’’ x 48’’


48’’ x 32’’


49’’ x 60’’


60’’ x 48’’

Fleurs et poire

40’’ x 32’’


48’’ x 44’’

Fraises 2

36’’ x 32’’

Orange et arums

60’’ x 40’’

Pamplemousse rose et citrons

60’’ x 48’’

Panier de pommes

48’’ x 54’’

Pêches roses

32’’ x 40’’


68’’ x 88’’

Prunes, fleurs et café

60’’ x 60’’

Tulipes et poires

76’’ x 48’’

Quatre pommes et demie

48’’ x 54’’

Nature morte à la nappe rose

48’’ x 70’’

Deux amies

60’’ x 48’’

Femme en gris (circa 1860)

48’’ x 40’’

Femme inconnue circa 1855

48’’ x 40’’

Fille en noir

48’’ x 40’’

Fille sur fond fleurie

72’’ x 48’’

Fillette au pull blanc

60’’ x 46’’

Fillette - Marilyn

60’’ x 42’’

Flore (femme inconnue)

72’’ x 60’’

Homme au chapeau

52’’ x 40’’

Homme inconnue

72’’ x 60’’

Jeune femme à la coiffure fleurie

72’’ x 48’’

Jeune femme au ruban (inconnue)

60’’ x 48’’

Jeune russe (inconnue)

72’’ x 48’’

Marianne au chapeau noir

48’’ x 40’’

Marianne au chapeau noir

48’’ x 40’’


70’’ x 48’’

Étude de: Jeune femme de Rogier van der weyden (détail)

72’’ x 48’’


Pierre Lefebvre paints portraits, interior scenes and still lifes. In his portraits, there is a subtle reference to the artist himself; these individuals are very distinguished and reserved. His compositions are structured, often geometric and always engaging. In many of his canvases the eye is drawn down into the painting, inviting the viewer in. Pierre Lefebvre’s portraits and still life’s project an atmosphere of mystery and tranquility. When we examine carefully the details in his work, we realize that the artist employs a very skillful symbolism to project human separation. For instance, a jagged outline of draped material leads to a broken goblet spilling red wine over the pages of an open book. The choice of a lemon placed next to the goblet is not by chance. Nor is the spilt wine staining the pages of the book an aimless gesture. Every detail is meticulously thought out. The artist plans his subject before starting to work on the canvas, developing a general outline of what the finished painting will be. Once his ideas have come together, the paint brush flies across the canvas transcribing what Lefebvre has mentally created.

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