Pierre Lefebvre

Works
  • Pierre Lefebvre, Bol de fruits, 2023
    Bol de fruits, 2023
  • Pierre Lefebvre, Coings et fraises, 2023
    Coings et fraises, 2023
  • Pierre Lefebvre, Compotier, 2019
    Compotier, 2019
  • Pierre Lefebvre, Étude de: Jeune femme de Rogier van der weyden (détail), 2018
    Étude de: Jeune femme de Rogier van der weyden (détail), 2018
  • Pierre Lefebvre, Fleurs orangées, 2023
    Fleurs orangées, 2023
  • Pierre Lefebvre, Fleurs, pêches, tapisserie, 2023
    Fleurs, pêches, tapisserie, 2023
  • Pierre Lefebvre, Fleurs, raisins, cerises, 2021
    Fleurs, raisins, cerises, 2021
  • Pierre Lefebvre, Fraises, 2016
    Fraises, 2016
  • Pierre Lefebvre, Jardin, été, 2021
    Jardin, été, 2021
  • Pierre Lefebvre, Lys et fruits, 2021
    Lys et fruits, 2021
  • Pierre Lefebvre, Orange et arums, 2020
    Orange et arums, 2020
  • Pierre Lefebvre, Oranges, prunes et fleurs, 2022
    Oranges, prunes et fleurs, 2022
  • Pierre Lefebvre, Panier de pommes, 2016
    Panier de pommes, 2016
  • Pierre Lefebvre, Pêches roses, 2018
    Pêches roses, 2018
  • Pierre Lefebvre, Picnic 1, 2022
    Picnic 1, 2022
  • Pierre Lefebvre, Quatre pommes et demie, 2015
    Quatre pommes et demie, 2015
Overview
"In many of his canvases the eye is drawn down into the painting, inviting the viewer in. Pierre Lefebvre’s portraits and still lives project an atmosphere of mystery and tranquility."

Pierre Lefebvre paints portraits, interior scenes and still lives. In his portraits, there is a subtle reference to the artist himself; these individuals are very distinguished and reserved. His compositions are structured, often geometric and always engaging. In many of his canvases the eye is drawn down into the painting, inviting the viewer in. Pierre Lefebvre’s portraits and still lives project an atmosphere of mystery and tranquility. When we examine carefully the details in his work, we realize that the artist employs a very skillful symbolism to project human separation. For instance, a jagged outline of draped material leads to a broken goblet spilling red wine over the pages of an open book. The choice of a lemon placed next to the goblet is not by chance. Nor is the spilt wine staining the pages of the book an aimless gesture. Every detail is meticulously thought out. The artist plans his subject before starting to work on the canvas, developing a general outline of what the finished painting will be. Once his ideas have come together, the paint brush flies across the canvas transcribing what Lefebvre has mentally created.