Jennifer Hornyak
-
Ballet bleu, 20238 x 12 in. -
Breathing Pink, 202330 x 30 in.
-
Brown Pink with Cream, 202340 x 40 in.
-
Cascading Black, 202416 x 16 in.
-
Coral with Lime, 202220 x 20 in.
-
Cream Anenome, 202416 x 16 in.
-
Dickinson Green with Terra Cotta, 202141 x 31 in.
-
Emerald with Black and Cream, 202216 x 16 in.
-
Estate Green, 202216 x 12 in.
-
Gold Bar, 20229 x 7 in.
-
Green Leaves with Ochre, 201940 x 40 in.
-
Lilac with Gold, 202410 x 10 in.Sold
-
Majorettes, 202216 x 16 in.
-
Marshways, 202551 x 48 in.
-
Mauve Pot with Yellow Square, 202510 x 10 in.
-
Mauve with Sage, 20256 x 6 in.
-
Mustard Yellow with Blue, 20196 x 8 in.
-
Nestled, 202351 x 48 in.
-
Offenbach Tales, 202238 x 36 in.
-
Orange Flower with Script, 202110 x 10 in.
-
Orange with Dots, 202116 x 16 in.
-
Orange with Gold Stripes, 202310 x 8 inches
-
Peaking Pink, 202540 x 40 in.
-
Pink Ground with Lemon Yellow, 202416 x 16 in.
-
Pink Pieces, 20256 x 6 in.
-
Pink with Blue Clusters, 202348 x 51 in.
-
Red Drum, 20226 x 8 in.
-
Red Flowers in Pink Pot, 200632 x 30 in.
-
Sand Green, 20218 x 6 in.Sold
-
Scotch Blue, 202214 x 10 in.
-
Smoke Green with Pink, 20217 x 7 in.
-
Summer Solstice, 202148 x 51 in.
-
Tarentella!, 202348 x 51 in.
-
Tipping Blue, 202248 x 51 in.
-
Tonal Stripes with Yellow, 202112 x 12 in.
-
Tulips with Black Vase, 202324 x 28 in.
-
Venetian Red with Bird, 202124 x 24 in.
-
Yellow Bloom, 202512 x 16 in.
-
Lilac with Gold, 2024
-
Ballet bleu, 2023
-
Pink with Blue Clusters, 2023
“Regardless of my intentions, the final shape of each flowerpot is a direct reflection of my mood. The objects may be the same, but how I paint them entirely depends on how I feel about the world that day.”
Jennifer Hornyak is known for her vivid and distinctly textured paintings that blur the line between figuration and abstraction. Drawing inspiration from her surroundings, she creates work that is both intimate and universal. Through both color and texture, Hornyak builds a structure for each painting that emanates a still life motif.
“Regardless of my intentions, the final shape of each flowerpot is a direct reflection of my mood. The objects may be the same, but how I paint them entirely depends on how I feel about the world that day. ”
Hornyak uses areas of pale and deep hues to build up a well-integrated negative space that surrounds her freely-rendered floral still life subjects. The spontaneous brushwork and undiluted color are reminiscent of the Fauve group of painters of a century ago.
Born in England, she studied at the Grimsby School of Art before coming to Canada. For more than forty years, her work has been exhibited in prestigious galleries across North America and international art fairs. Her paintings are part of numerous private and public collections.
She works and lives in Montreal.
