Heidi
Spector


Works

Is This The Place I’ve Been Dreaming Of


63’’ x 63’’ x 2’’

Joy and Sorrow


80’’ x 17’’ x 17’’

Just One Kiss


36’’ x 6’’ x 6’’

Shot Right Through with A Bolt of Blue


60’’ x 60’’ x 2’’

So Much More Than Everything


60’’ x 3’’ x 3’’

That’s How My Love Goes


36’’ x 6’’ x 6’’

And Your Love Is All Around


27’’ x 27’’ x 27’’

At Last


66’’ x 10’’ x 10’’

Back to the Garden


36’’ x 48’’ x 2’’

Champagne Supernova


14’’ x 14’’ x 14’’

Love is The Drug Study #1


44’’ x 44’’

My Secret Garden


60’’ x 7’’ x 7’’

Pillar of Reflection I, II, III & IV


36’’ x 6’’ x 6’’ each / chaque

Serenade for Strings


54’’ x 5’’ x 2’’

Someone To Hear Your Prayers, Someone Who Cares I


40’’ x 40’’ x 2’’

Someone To Hear Your Prayers, Someone Who Cares II


40’’ x 40’’ x 2’’

The Abduction of the Heart


60’’ x 45’’ x 2’’

The Beautiful State


24’’ x 74’’ x 2’’

The Perfect Word


18’’ x 12’’ x 3’’

There Would Still Be You and Me


14’’ x 14’’ x 14’’

We Are The Brave


12’’ x 12’’ x 12’’

When Hearts like Ours Meet


30’’ x 30’’ x 2’’

When You Mess With Love


12’’ x 12’’ x 12’’


Biography

Heidi Spector is a geometric artist best known for her exploration of minimalism as studied through lines, repetition, color and reflection. Spector’s work has been the subject of numerous solo and group shows including exhibitions in Montreal, London, Paris, Los Angeles, Houston, Miami, and New York. Her work is included in several corporate, private and museum collections worldwide.

Her paintings and sculptural cubes composed of acrylic painted as bands of color on Russian birch, are topped with resin, creating a surface where candy-like colors pulse and dance together, alluding to the impact of popular music on her work. Referred to by the artist as “geometric minimalism,” Spector purposefully avoids injecting specific emotional content to her paintings, instead opting for bold color choices that quickly establish an upbeat and lively mood.

Her shining repetitive pattern of vertical or horizontal stripes project a natural sense of optimism and joy informed by the techno beats and self-absorption of club life. Spector’s paintings are influenced by popular music, taking on titles based on song lyrics by artists as varied as Duke Ellington, Roxy Music, Amy Winehouse and DJ Tiesto.

The color palette of each painting is in part a response to each song, infusing her works with the sensation of being an audio/visual playlist. The geometric opticality and slick surfaces of Spector’s paintings connect her works with a tradition of hard–edge painters, such as Bridget Riley and Frank Stella. Her vision of the paintings as objects of desire and joy, however, also place Spector’s work alongside contemporary pop artists embracing kitsch as profound.