All About You, All About Me II

60’’ x 3’’ x 4’’

I Was Born To Love

48’’ x 48’’

On A Summer Midnight I

60’’ x 3’’ x 4’’

On A Summer Midnight II

60’’ x 3’’ x 4’’

All I Have Is My Love Of Love

48’’ x 72’’ x 2’’

All You Do Is Love And Love Is All You Do I

40’’ x 6’’ x 6’’

All You Do Is Love And Love Is All You Do II

40’’ x 6’’ x 6’’

And Your Love Is All Around

27’’ x 27’’ x 27’’

At Last

66’’ x 10’’ x 10’’

Champagne Supernova

14’’ x 14’’ x 14’’

I Learned To See The Light In The Darkest Night

40’’ x 40’’ x 2’’

Is This The Place I’ve Been Dreaming Of

63’’ x 63’’ x 2’’

Joy and Sorrow

80’’ x 17’’ x 17’’

Just One Kiss

36’’ x 6’’ x 6’’

Love is The Drug Study #1

44’’ x 44’’

Only Fools Are Satisfied

48’’ x 72’’ x 2’’

Pillar of Reflection III

36’’ x 6’’ x 6’’

Pillar of Reflection IV

36’’ x 6’’ x 6’’

Planet Love

60’’ x 4’’ x 4’’

Shot Right Through with A Bolt of Blue

60’’ x 60’’ x 2’’

That’s How My Love Goes

36’’ x 6’’ x 6’’

The Abduction of the Heart

60’’ x 45’’ x 2’’

The Beautiful State

24’’ x 74’’ x 2’’

There Would Still Be You and Me

14’’ x 14’’ x 14’’

We Are The Brave

12’’ x 12’’ x 12’’

When Hearts like Ours Meet

30’’ x 30’’ x 2’’


Heidi Spector is a geometric artist best known for her exploration of minimalism as studied through lines, repetition, color and reflection. Spector’s work has been the subject of numerous solo and group shows including exhibitions in Montreal, London, Paris, Los Angeles, Houston, Miami, and New York. Her work is included in several corporate, private and museum collections worldwide.

Her paintings and sculptural cubes composed of acrylic painted as bands of color on Russian birch, are topped with resin, creating a surface where candy-like colors pulse and dance together, alluding to the impact of popular music on her work. Referred to by the artist as “geometric minimalism,” Spector purposefully avoids injecting specific emotional content to her paintings, instead opting for bold color choices that quickly establish an upbeat and lively mood.

Her shining repetitive pattern of vertical or horizontal stripes project a natural sense of optimism and joy informed by the techno beats and self-absorption of club life. Spector’s paintings are influenced by popular music, taking on titles based on song lyrics by artists as varied as Duke Ellington, Roxy Music, Amy Winehouse and DJ Tiesto.

The color palette of each painting is in part a response to each song, infusing her works with the sensation of being an audio/visual playlist. The geometric opticality and slick surfaces of Spector’s paintings connect her works with a tradition of hard–edge painters, such as Bridget Riley and Frank Stella. Her vision of the paintings as objects of desire and joy, however, also place Spector’s work alongside contemporary pop artists embracing kitsch as profound.

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