51’’ x 48’’

New Blue

40’’ x 40’’

Berlin Blue with Coral

12’’ x 16’’

Blue with Sand

8’’ x 10’’

Bronze Red

20’’ x 20’’

Charcoal with Yellow and White

24’’ x 30’’

Cheveux marron avec tuque

16’’ x 16’’

Coral with Lime

20’’ x 20’’

Cream with Apple Green

7’’ x 7’’

Dickinson Green with Terra Cotta

41’’ x 31’’


32’’ x 34’’

Emerald with Black and Cream

16’’ x 16’’

Estate Green

16’’ x 12’’

Green Folly

66’’ x 78’’

Green Leaves with Ochre

40’’ x 40’’

Green with Ice Blue

6’’ x 6’’

Gris béton avec rose

16’’ x 16’’

Holland Browns

8’’ x 8’’

Jade Green with Dusty Pink

18’’ x 24’’


51’’ x 48’’


16’’ x 16’’

Mint Lavender

8’’ x 6’’

Mustard Yellow with Blue

6’’ x 8’’

Navy Blue with Pink

12’’ x 12’’

Offenbach Tales

38’’ x 36’’

Old Rose Victoria

36’’ x 36’’

Orange Flower with Script

10’’ x 10’’

Orange with Dots

16’’ x 16’’

Pastoral Green

16’’ x 16’’


6’’ x 6’’

Red Drum

6’’ x 8’’

Rhodes Blue

48’’ x 51’’

Sand Green

8’’ x 6’’

Saxon Green with Yellow

18’’ x 24’’

Scotch Blue

14’’ x 10’’

Siskin Green with Pink

16’’ x 16’’

Smoke Green with Pink

7’’ x 7’’

Snow White

12’’ x 16 1/2’’

Summer Solstice

48’’ x 51’’

Theatre Red with Yellows

29’’ x 36’’

Tipping Blue

48’’ x 51’’

Tonal Stripes with Yellow

12’’ x 12’’

Venetian Red with Bird

24’’ x 24’’


Jennifer Hornyak was born in England, where she studied at the Grimsby School of Art before coming to Canada. For more than forty years, her work has been exhibited in prestigious galleries across North America, at international art fairs, and in many corporate collections. She works and lives in Montreal.

Hornyak is known for her vivid and distinctly textured paintings that blur the line between figuration and abstraction. Drawing inspiration from her surroundings, she creates work that is both intimate and universal. Through both colour and texture, Hornyak builds a structure for each painting that emanates a still life motif.

“Regardless of my intentions, the final shape of each flowerpot is a direct reflection of my mood. The objects may be the same, but how I paint them entirely depends on how I feel about the world that day. ” She uses areas of pale and deep hues to build up a well-integrated negative space that surrounds her freely-rendered floral still life subjects. The spontaneous brushwork and undiluted colour are reminiscent of the Fauve group of painters of a century ago.

She lives and works in Montreal.

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