Jennifer
Hornyak


Works

Bronze Red


20’’ x 20’’

Charcoal with Yellow and White


24’’ x 30’’

Gris béton avec rose


16’’ x 16’’

Jongleurs


51’’ x 48’’

Mélange avec ciel


51’’ x 48’’

Coral with Lime


20’’ x 20’’

Tipping Blue


48’’ x 51’’

Dickinson Green with Terra Cotta


41’’ x 31’’

Holland Browns


8’’ x 8’’

Pastoral Green


16’’ x 16’’

Orange Flower with Script


10’’ x 10’’

Siskin Green with Pink


16’’ x 16’’

Green with Ice Blue


6’’ x 6’’

Navy Blue with Pink


12’’ x 12’’

Berlin Blue with Coral


12’’ x 16’’

Cheveux marron avec tuque


16’’ x 16’’

Drift


32’’ x 34’’

Cinder Rose with Yellow Dots


16’’ x 16’’

Estate Green


16’’ x 12’’

Green Leaves with Ochre


40’’ x 40’’

Jade Green with Dusty Pink


18’’ x 24’’

Mint Lavender


8’’ x 6’’

Mustard Yellow with Blue


6’’ x 8’’

Offenbach Tales


38’’ x 36’’

Old Rose Victoria


36’’ x 36’’

Orange with Dots


16’’ x 16’’

Pale Blue with Pink


16’’ x 12’’

Red Drum


6’’ x 8’’

Rhodes Blue


48’’ x 51’’

Sand Green


8’’ x 6’’

Smoke Green with Pink


7’’ x 7’’

Snow White


12’’ x 16’’

Summer Solstice


48’’ x 51’’

Theatre Red with Yellows


29’’ x 36’’

Tonal Stripes with Yellow


12’’ x 12’’

Venetian Red with Bird


24’’ x 24’’


Biography

Jennifer Hornyak was born in England, where she studied at the Grimsby School of Art before coming to Canada. For more than forty years, her work has been exhibited in prestigious galleries across North America, at international art fairs, and in many corporate collections. She works and lives in Montreal.

Hornyak is known for her vivid and distinctly textured paintings that blur the line between figuration and abstraction. Drawing inspiration from her surroundings, she creates work that is both intimate and universal. Through both colour and texture, Hornyak builds a structure for each painting that emanates a still life motif.

“Regardless of my intentions, the final shape of each flowerpot is a direct reflection of my mood. The objects may be the same, but how I paint them entirely depends on how I feel about the world that day. ” She uses areas of pale and deep hues to build up a well-integrated negative space that surrounds her freely-rendered floral still life subjects. The spontaneous brushwork and undiluted colour are reminiscent of the Fauve group of painters of a century ago.

She lives and works in Montreal.

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