Phil Crosshatch

52’’ x 40’’, Ed. 30


47 1/4’’ x 37’’, Ed. 70

Self-Portrait Woodcut

35 1/2’’ x 28 1/2’’, Ed. 70

Self-Portrait Woodcut

30’’ x 25’’, Ed. 60


24 3/4’’ x 19 1/2’’, Ed. 40

Zhang Huan II

57 1/4’’ x 48’’, Ed. 60


Chuck Close is globally renowned for reinvigorating the art of portrait painting from the late 1960s to the present day, an era when photography had been challenging painting’s former dominance in this area and succeeding in steadily gaining critical appreciation as an artistic medium in its own right.

He began creating photorealist portraits from photographs in the late 1960s, using a grid to map each facial detail. In the late 1970s, he began shifting away from this approach, creating images with layers of autonomous shapes and colors that cohere into his subject’s face when viewed from a distance. Constantly revitalizing his practice, Close works across a variety of media, extending beyond painting to encompass printmaking, photography, collage, and tapestries based on Polaroids.

In addition, Close’s personal struggles with dyslexia and subsequently, partial paralysis, have suggested real-life parallels to his professional discipline, as though his methodical and yet also quite intuitive methods of painting are inseparable from his own daily reckoning with the body’s own vulnerable, material condition.

In 2000, Close was presented with the prestigious National Medal of Arts by President Bill Clinton. He is a member of the American Academy of Arts and Letters, has served on the board of many arts organizations, and, in 2010, was appointed by President Barack Obama to serve on The President’s Committee on the Arts and the Humanities. In 2016, he created twelve large-scale mosaic portraits for New York’s 86th Street subway station at Second Avenue.

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